Mary Shelley's

 FRANKENSTEIN

 

BIOGRAPHY

GEOGRAPHY
Europe 1787
Europe 1815 (more)
Europe 1815 (less)
Switzerland
Germany 1815
Germany (current)
Germany (Ingolstadt)

HISTORICAL INFO
French Revolution
Romantic Movement
Gothic Literature
Pre-18th Century Science Industrial Revolution

LITERARY TERMS
Character Development
 

Analysis of Static Characters


Analysis of Dynamic Characters


Literary Allusions

 

STUDY QUESTIONS
Discussion Questions


Chapter Questions

 

 

Literary Allusion is a writer's comparison of his or her characters to characters in other well-known works of literature. The value of allusion lies in its ability to garner much information in only a title or a character name. By alluding to a work with which everyone is familiar, all of the connotations of the one work are transferred to the new one.

Shelley uses many literary allusions in Frankenstein, referring mostly to Milton's Paradise Lost and the biblical account of Adam and Eve.

The story of Adam and Eve, especially Milton's version, is one that is very well known in Western culture. It is one of the fundamental stories of Western culture. By using that particular story, Shelley was hoping to get as many people as possible to bring the back story of Paradise Lost to Frankenstein.

Shelley wanted the idea of the proud and inquisitive creature being cast out, as well as the idea that being cast out was a horrible thing.

"But Paradise Lost excited different and far deeper emotions. I read it...as a true history. It moved every feeling of wonder and awe, that the picture of an omnipotent God sparring with his creatures was capable of existing. I often referred the several situations, as their similarity struck me, to my own..."

 

JOHN MILTON'S PARADISE LOST

An epic poem in blank verse, considered by many scholars to be one of the greatest poems of the English language. Paradise Lost tells the biblical story of the fall from grace of Adam and Eve (and, by extension, all humanity) in language that is a supreme achievement of rhythm and sound. The main characters in the poem are God, Lucifer (Satan), Adam, and Eve. Much has been written about Milton's powerful and sympathetic characterization of Satan. The Romantic poets William Blake and Percy Bysshe Shelley saw Satan as the real hero of the poem and applauded his rebellion against the tyranny of Heaven. Many other works of art have been inspired by Paradise Lost, notably Joseph Haydn's oratorio The Creation (1798) and John Keats's long poem "Endymion" (1818). Milton's Paradise Regained (1671) dramatizes the temptation of Christ.

Paradise Lost is about Adam and Eve--how they came to be created and how they came to lose their place in the Garden of Eden, also called Paradise. It's the same story you find in the first pages of Genesis, expanded by Milton into a very long, detailed, narrative poem. It also includes the story of the origin of Satan. Originally he was called Lucifer, an angel in heaven who led his followers in a war against God, and was ultimately sent with them to hell. Thirst for revenge led him to cause man's downfall by turning into a serpent and tempting Eve to eat the forbidden fruit.

Paradise Lost  was originally published in 1667 in ten books; a second edition followed in 1674, redivided into twelve books (in the manner of the division of Virgil's Aeneid) with minor revisions throughout and a note on the versification. The poem concerns the Judeo-Christian story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is "justify the ways of God to men"[1] and elucidate the conflict between God's eternal foresight and free will.

In the early nineteenth century, the Romantics began to regard Satan as the protagonist of the epic. Milton presents Satan as an ambitious and proud being who defies his creator, omnipotent God, and who wages war on Heaven, only to be defeated and cast down. Indeed, William Blake, a great admirer of Milton and illustrator of the epic poem, said of Milton that "he was a true Poet, and of the Devil's party without knowing it." [2] Some commentators regard the character of Satan as a precursor of the Byronic hero.[3]

Milton worked for Oliver Cromwell and the Parliament of England and thus wrote first-hand for the Commonwealth of England. Arguably, the failed rebellion and reinstallation of the monarchy left him to explore his losses within Paradise Lost. Some commentators say that he sympathized with Satan in this work, in that both he and Satan had experienced a failed cause.

Milton incorporates Paganism, classical Greek references and Christianity within the story. The poem grapples with many difficult theological issues, including fate, predestination, and the Trinity.

 

PROMETHEUS

Another obvious literary allusion in Frankenstein is its subtitle: "The Modern Prometheus." Prometheus was a Greek god who was in charge of giving out gifts to the various creatures on Earth. He gave out speed and instinct and such. By the time he got to mankind, he was out of gifts. He decided to go against his orders and gave man fire (symbolic of knowledge). The other gods were angered by his disobedience ([partly because now man was too godlike). Prometheus' punishment was that he was chained to a rock. Every day a vulture came and devoured his liver. Every night the liver grew back to be devoured the next day. In several obvious ways, this ancient Greek story is very closely connected to Frankenstein.

Prometheus was the son of Iapetus who was one of the Titans. He tricked the gods into eating bare bones instead of good meat. He stole the sacred fire from Zeus and the gods. Prometheus did not tell Zeus the prophecy that one of Zeus's sons will overthrow him. In punishment, Zeus commanded that Prometheus be chained for eternity in the Caucasus. There, an eagle (or, according to other sources, a vulture) would eat his liver, and each day the liver would be renewed. So the punishment was endless, until Heracles finally killed the bird. Prometheus is known to be one of the most interesting characters in Greek Mythology.

 

 

Want to learn more?  John Milton's Paradise Lost e-text